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DJ Chrisbe’s Song of the Week #95: Four Or Five Times

26.12.2011 by Chris

From a few songs, I like to collect different versions. “Four Or Five Times” is one of them and this week's song is one of my alltime favourite swing tunes. A recording from 1937 by Jimmie Noone (23.04.1895-19.04.1944).

Beside Johnny Dodds and Sidney Bechet, Jimmie Noone is considered one of the three top New Orleans clarinetists of the 1920s. Noone had a smoother tone and his style influenced many musicians of the Swing era of the 1930s and 1940s, such as Benny Goodman.

As a child, he played the guitar before he started to take clarinet lessons at age 15. Sidney Bechet, who was 13 (thirteen!) at that time, was one of his teachers!

From 1913-1914 he played with Freddie Keppard and in 1916 with Buddy Petit and the Young Olympia Band. In 1917 he moved to Chicago (like many other musicians from New Orleans) to join Keppard's Creole Orchestra.

After breaking up in 1918 he became a member of King Oliver's Creole Jazz Band, where he stayed until 1920 to join Doc Cook's Dreamland Orchestra for the next years.

In 1927/1928 he started leading a band at the Apex Club. Pianist Earl Hines and alto saxophonist Joe Poston (how interplayed with Noone) were members in the quintet. They were recording for Vocalion including an early version of “Sweet Lorraine” (Noone's theme song) and “Four or Five Times.”

Version of “Four Or Five Times” from 1928

The music they played was a transition from the early jazz style (all instruments play at the same time) to the modern swing style (solos by Earl Hines and Jimmie Noone).

Throughout the 1930s, Noone worked mostly in Chicago. On some of his late 1930s recordings he played with trumpeter Charlie Shavers. Also young singer Joe Williams became a member of his band but unfortunately, Noone and Williams never recorded together.

In 1944, Noone was in Kid Ory‘s band in California but before Noone really could gain fame, he unexpectedly died of a heart attack.

Four Or Five Times (1937)

DJ Chrisbe's Song of the Week #95: "Four Or Five Times" by Jimmie Noone | Shuffle Projects

Title: Four Or Five Times
Artist: Jimmie Noone
Recorded: December 1, 1937
Tempo: 168 bpm
Dance: Lindy Hop, Balboa


What is your favourite version of “Four Or Five Times”? Let us know in the comment section below!

Every Monday, I post a new “Song of the Week“.
You can find the songs also on my Spotify playlist or on 8tracks.

Sign up now for DJ Chrisbe's free resources emails for
more music tips and swing DJ resources!

Related Posts:

Song of the Week #59: “Four Or Five Times” by Joe Williams
Song of the Week #94: “Petite Fleur” by Sidney Bechet
Song of the Week #93: “Moonglow (Take 2)” by Benny Goodman Quartet

Filed Under: Music, Song of the Week Tagged With: Balboa, DJ Chrisbe, Early Jazz, Jimmie Noone, Kid Ory, King Oliver, Lindy Hop, Swing

Top Swing Albums of 2011: Doctor Bernard and His Swing Orchestra “Let’s Dance”

23.12.2011 by Chris

Best of 2011: Let's Dance by Doctor Bernard and His Swing Orchestra | Shuffle ProjectsMusical Hero Benny Goodman

One of my favourite contemporary swing musicians, a fabulous clarinetist from the Netherlands, is Bernard Berkhout.

Bernard used to play with small groups, but after reading the book “Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture” by Lewis A. Erenberg [Amazon.de | Amazon.com], he realized the historical importance of his musical hero Benny Goodman and he was so inspired, that he started his own big band.

That was in 2008.

The big band album was in the air since more than a year, but we had to be patient, until it was finally released in July 2011. It was well worth the wait!

Fresh Sound

I have to confess, I'm not a huge fan of contemporary big bands. In my opinion, most of them are boring, uninspired, too clean and I often miss a certain amount of “dirt” in the music, if you know what I mean.

But here we have something completely different.

From the very first tone, I was impressed by the sound. The orchestra plays with such a fresh and relaxed but hard swinging drive, there is so much joy in the music, that you can't sit still!

And Bernard himself is proving again, that he is THE master on clarinet. His solos are top notch! I have no idea how one can play an instrument with such a virtuosity :).

Not to forget to mention all the other musicians who have done an incredible great job.

Music For Dancers

No wonder! The local Lindy Hop community in the Netherlands was involved from the beginning of the project. As Bernard writes in the 24-page (!) booklet coming with the CD, two of the Lindy Hoppers stand out:

“Dancer and swing DJ Robert Cullen became my sounding board, my musical conscience and co-producer. Dancer and clarinetist Frans van Dommelen was extremely generous in approaching his many contacts in the world of dance, and he was ever-present and supportive no matter how far away from home we performed or rehearsed. Both of them participated in long discussions about repertoire, length and tempos.”

The result is an album for dancers.

The music is based entirely on the ideas and arrangements of Benny Goodman. The length of the songs is in the range between 3:00 and 4:49 minutes. As usual for this kind of CDs, the bpm are listed: the tempos vary between 114 and 232 bpm. There are songs for any dance level!

Track List

  1. Roll ‘Em – 192 bpm – 3:48
  2. Minnie The Moochers Wedding Day – 200 bpm – 3:51
  3. Jersey Bounce – 126 bpm – 3:26
  4. St. Louis Blues – 130 bpm – 4:10
  5. He Ain’t Got Rhythm – 166 bpm – 4:49
  6. I Would Do Most Anything For You – 192 bpm – 3:27
  7. House Hop – 216 bpm – 3:44
  8. Swingtime In The Rockies – 230 bpm – 3:01
  9. Estrelita – 132 bpm – 3:30
  10. Sing Me A Swing Song (And Let Me Dance) – 180 bpm – 3:08
  11. Down South Camp Meeting – 216 bpm – 4:15
  12. Happy As The Day Is Long – 232 bpm – 3:54
  13. You Turned The Tables On Me – 114 bpm – 3:00
  14. Let’s Dance – 220 bpm – 3:31

Numbers 5, 10, 12 and 13 feature singer Leah Kline (awesome voice!), the rest are instrumental numbers.

Highly Recommended

This album is by far the best contemporary big band recording I've ever heard! There are always downsides, but honestly, I can't find one.

I highly recommend “Let's Dance” and I'm convinced we will hear songs from the recording very often on the dance floor.

Buy “Let's Dance”!

Digital Download
Amazon

Sources:

  • Hey Mister Jesse Podcast #67 – July 2011: Interview with Bernard Berkhout and Robert Cullen about the creation process and production of the recording.
  • “Recording technique recommended for a new big band album” Thread on swingdjs.com where Robert Cullen was researching which recording technique would be preferred by Swing DJs (try with a search, original link doesn't exist anymore)
  • Bernard Berkhout's Website

Check out another Top Swing Album of 2011:

  • Solomon Douglas Swingtet “Ain't No School Like The Old School”

Filed Under: Music Tagged With: Benny Goodman, Bernard Berkhout, Big Band, Doctor Bernard and His Swing Orchestra, Lindy Hop, Swing

DJ Chrisbe’s Song of the Week #93: Moonglow

12.12.2011 by Chris

I'm a big admirer of Benny Goodman's small group recordings from 1935 to 1939. He recorded with different group sizes and what I like is the relaxness in the songs, there is so much joy of play hearable.

The sound is full and often, you get the feeling, there were many more musicians involved than actually were.

Most of the recordings were done as a quartet, with Gene Krupa on drums, Teddy Wilson on piano and Lionel Hampton on vibes.

Please note, that two of the musicians (Wilson and Hampton) were black. It was quite uncommon at that time to have mixed orchestras. In fact, Benny Goodman was hesitating for a long time to perform with black musicians on stage because of race discrimination.

Moonglow (or Moon Glow) was recorded by the quartet in 1936 and there are two existing takes. Take two is a tad faster than take one and is our song of the week. The same tune was a number one hit two years before, recorded by Goodman's freshly organized permanent performance orchestra.

Moonglow is a quite slow Lindy Hop tune, which suits perfectly to the winter season we have right now in Europe. Imagine, it's cold outside and you are attending an afternoon swing event. You drink some hot tea, eat a piece of cake and dance to this song.

I recommend “The Complete RCA Victor Small Group Recordings” for every swing dancer and music lover, it's one of the best compilations I've ever bought. The remastering is softly and respectfully done without damaging the original sound feeling.


DJ Chrisbe's Song of the Week #93: "Moonglow" (Take 2) by Benny Goodman QuartetTitle: Moonglow (Take 2)
Artist: Benny Goodman Quartet
Recorded: 1936
Album: The Complete RCA Victor Small Group Recordings
Tempo: 114 bpm
Dance: Lindy Hop



Click the link to prelisten and/or buy the song (mp3/mp4a) at
iTunes CH/EU
— iTunes US — Amazon.de — Amazon.com


What do you think about Benny Goodman's small group recordings? Let us know in the comment section below!

Every Monday, I post a new “Song of the Week“. You can find the songs also on my Spotify playlist.

Sign up now for DJ Chrisbe's free resources emails for
more music tips and swing DJ resources!

Related Posts:

Song of the Week #92: “Little Sir Echo” by Rex Stewart & Dickie Wells
Song of the Week #91: “‘Tain’t What You Do” by Jimmie Lunceford
Song of the Week #90: “Stompin’ At The Riverside” by Spade Cooley
Song of the Week #89: “Rexatious” by Rex Stewart
Song of the Week #88: “Honeysuckle Rose” by Fats Waller

[catalyst_hook_box name=”share”]

Filed Under: Music, Song of the Week Tagged With: Benny Goodman, DJ Chrisbe, Gene Krupa, Lindy Hop, Lionel Hampton, Quartet, Small Groups, Swing, Ted Wilson

DJ Chrisbe’s Song of the Week #86: Postcard To Fere

24.10.2011 by Chris

I just realised that this is the first Song of the Week coming from Switzerland and it's a song, which title is requested a lot, when I'm spinning it for dancers.

Erich Nussbaum (born 11.12.1953) is a rhythm and lead guitarist. There is not much information available about him. He is a self-made man who arranges and produces his CDs himself.

Postcard To Fere is a self-composed song in the gypsy swing tradition inspired by Django Reinhardt & Stéphane Grappelli. It is a greeting to Fere Scheidegger, another Swiss guitarist and bandleader of Fere's Hot Strings.

Line-Up: Erich Nussbaum – guitar, Bernhard Suter – violin, Paul Buchmeier – bass.

I love this song and I play it all the time for Balboa dancers!


DJ Chrisbe's Song of the Week #86: Postcard To FereTitle: Postcard To Fere
Artist: Erich Nussbaum
Recorded: 2004
Album: A Touch Of Swing
Tempo: 192 bpm
Dance: Balboa, Lindy Hop



Click the link to prelisten and/or buy the song (mp3/mp4a) at
iTunes EU
— Amazon.de (CH/D/A) — Amazon.com — eMusic*


Would you ask for the title as well? Leave a comment below!

Every Monday, I post a new “Song of the Week“.

Sign up now for DJ Chrisbe's free resources emails for
more music tips and swing DJ resources!

Related Posts:

Song of the Week #85: “Summit Ridge Drive” by Artie Shaw & His Gramercy Five
Song of the Week #84: “Root Hog Or Die” by The Harlem Hamfats
Song of the Week #83: “Queer Notions” by Fletcher Henderson & His Orchestra
Song of the Week #82: “Bizet Has His Day” by Les Brown
Song of the Week #81: “It Don't Mean A Thing (If It Ain't Got That Swing)” by Duke Ellington

Filed Under: Music, Song of the Week Tagged With: Balboa, DJ Chrisbe, Django Reinhardt, Erich Nussbaum, Gypsy Swing, Swing

DJ Chrisbe’s Song of the Week #83: Queer Notions

03.10.2011 by Chris

James Fletcher Hamilton Henderson (18.12.1897 – 29.12.1952) was a pianist, composer, arranger and leader of the first great jazz big band. He had a huge influence in early jazz.

Henderson had a degree in chemistry and mathematics, but when he came to New York in 1920, the only job he could find was in the music industry because of race discrimination. He worked as a music director and pianist for the Black Swan label.

In 1922 Henderson formed his first band with Don Redman. Thanks to Redman's innovative arrangements, they became quickly the best Afro-American band in New York. When Louis Armstrong joined the band in 1924, Redman started to contribute more swinging tunes.

After Redman left the band in 1927, Benny Carter and Henderson's younger brother Horace Henderson helped with the arrangements, before Fletcher Henderson became himself a top arranger in the early 1930s.

The band was very popular but Henderson a bad business men, so he started to work for other bands. In 1934 Benny Goodman bought some arrangements from him for his weekly radio show “Let's dance”.

In 1936 Goodman became the “King of Swing“, ironically with arrangements, Henderson already was playing with his band many years before. In 1939, Henderson became the staff arranger of Benny Goodman's band.

Queer Notions is in a certain way quite awkward, with strange harmonies. Queer as its title. I guess, it was a difficult arrangement to play for the band.

Well, I have a soft spot for strange songs! 😉


DJ Chrisbe's Song of the Week #83: Queer Notions by Fletcher Henderson & His OrchestraTitle: Queer Notions
Artist: Fletcher Henderson & His Orchestra
Recorded: 1933
Tempo: 162 bpm
Dance: Lindy Hop


Click the link to download the song from
Amazon.com

Related posts:

  • Song of the Week #23: “Muskrat Ramble” by Louis Armstrong and His Hot Five
  • Song of the Week #16: “Six Appeal” by Charlie Christian & Benny Goodman
  • Song of the Week #82: “Bizet Has His Day” by Les Brown
  • Song of the Week #81: “It Don’t Mean A Thing (If It Ain’t Got That Swing)” by Duke Ellington
  • Song of the Week #80: “Shout, Sister, Shout!” by Sister Rosetta Tharpe & Lucky Millinder

Filed Under: Music, Song of the Week Tagged With: Benny Carter, Benny Goodman, DJ Chrisbe, Fletcher Henderson, Lindy Hop, Louis Armstrong, Swing

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Welcome, I'm Christian Bossert. Since 1999, I‘ve been passionate about Swing dances as well as their culture and history. I‘m a Swing dance instructor and international Swing DJ Chrisbe, based in Zurich Switzerland. Read More…

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