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DJ Chrisbe’s Song of the Week #82: Bizet Has His Day

26.09.2011 by Chris

Many songs from the swing era were inspired by melodies from other genres. Bizet Has His Day has its origin in classical music and how the title tells us, a piece by the composer Georges Bizet. Basis is «Farandole» from L'Arlésienne-Suite.

Here is a clip I've found on YouTube:
Farandole performed by Deutsch-Niederländische KammerPhilharmonie



The swing version was adapted and arranged by Ben Homer. In 1940 he became a staff composer for band leader Les Brown (14.03.1912-04.01.2001). The latter led a first-class jazz-oriented dance band for over 60 years.

Scott Yanow & Bruce Eder are writing on allmusic: «Les Brown's music was never innovative but was generally quite pleasing.»

Of course it's not innovative to take an existing melody, but Bizet Has His Day is for sure a successful transformation into a great danceable swing tune! In addition, the tempo is very comfortable for Lindy Hop dancers.


DJ Chrisbe's Song of the Week #82: Bizet Has His Day by Les Brown & His Band Of RenownTitle: Bizet Has His Day
Artist: Les Brown & His Band Of Renown
Recorded: 1945 (?)
Album: The Les Brown Story
Tempo: 155 bpm
Dance: Lindy Hop



Click the link to prelisten and/or buy the song (mp3/mp4a) at
iTunes — Amazon.de (CH/D/A) — Amazon.com — eMusic*

*not an eMusic member yet? Get 25 Songs with Your 7 Day FREE Trial!


Do you like this song? Do you like the series? Please leave a comment!


Every Monday, I post a new «Song of the Week«.

Sign up now for DJ Chrisbe's free resources emails for more music tips and swing DJ resources!

Related posts:

Song of the Week #81: «It Don’t Mean A Thing (If It Ain’t Got That Swing)» by Duke Ellington
Song of the Week #80: «Shout, Sister, Shout!» by Sister Rosetta Tharpe & Lucky Millinder
Song of the Week #79: «Buns Blues» by Count Basie & Oscar Peterson
Song of the Week #78: «Savage Serenade» by Adrian Rollini & His Orchestra
Song of the Week #77: «A Viper’s Moan» by Willie Bryant

If you enjoyed this post, please tweet, «like», +1, or share it. Thank you!

Filed Under: Music, Song of the Week Tagged With: Ben Homer, DJ Chrisbe, Georges Bizet, Les Brown, Lindy Hop, Swing

DJ Chrisbe’s Song of the Week #81: It Don’t Mean A Thing (If It Ain’t Got That Swing)

19.09.2011 by Chris

This song is definitely one of the hymns of swing music: It Don't Mean A Thing (If It Ain't Got That Swing), composed in 1931 by Duke Ellington, with lyrics by Irving Mills.

It was recorded the first time on February 2, 1932 for Brunswick Records. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the instrumental solos.

There are many stories about the origin of the song title, as Jeremy Wilson is writing on jazzstandards.com:

Depending on whom you believe, it was a favorite saying of James “Bubber” Miley, who played the trumpet with Ellington’s band in the 1920’s. Yet another account has Cootie Williams (Miley’s replacement) insisting it was his catch phrase. Still another has Irving Mills taking credit for using the phrase in a sentence while telling Ellington that the customers weren’t dancing to the band’s music. In actual fact, any number of people may have been using the phrase when Ellington wrote the song.

It seems, that It Don't Mean A Thing (If It Ain't Got That Swing) brought the word “swing” into general use. It predicted the swing era and gave the swing era its name.

The song is quite fast! It works fine for advanced Lindy Hop dancers and for Balboa dancers anyway :). The song isn't played that much for dancers, though.


DJ Chrisbe's Song of the Week #81: It Don't Mean A Thing (If It Ain't Got That Swing) by Duke EllingtonTitle: It Don't Mean A Thing (If It Ain't Got That Swing)
Artist: Duke Ellington & His Orchestra
Recorded: February 2, 1932
Album: Duke Ellington (Ken Burns Jazz)
Tempo: 214 bpm
Dance: Lindy Hop, Balboa



Click the link to buy the song (mp3/mp4a) at
iTunes — Amazon.de (CH/D/A) — Amazon.com — eMusic*

*not an eMusic member yet? Get 25 Songs with Your 7 Day FREE Trial!


Do you like this song? Do you like the series? Please leave a comment!

Every Monday, I post a new «Song of the Week«. Sign up for the weekly blog update by email and get the newest edition directly in your inbox.

Check out Swing DJ Resources for more music tips!

Related Posts:

Song of the Week #56: «C Jam Blues» by Barney Bigard
Song of the Week #66: «Empty Ballroom Blues» by Duke Ellington
Song of the Week #80: «Shout, Sister, Shout!» by Sister Rosetta Tharpe & Lucky Millinder
Song of the Week #79: «Buns Blues» by Count Basie & Oscar Peterson
Song of the Week #78: «Savage Serenade» by Adrian Rollini & His Orchestra

Filed Under: Music, Song of the Week Tagged With: Balboa, DJ Chrisbe, Duke Ellington, Irving Mills, Ivie Anderson, Lindy Hop, Swing

Swing Dance Competition: Relative Placement Scoring System

10.09.2011 by Chris

Relative Placement Scoring System in Swing Dance Competitions | Shuffle Projects

Have you ever wondered how Swing dance competitions are scored?

Here is the answer. In this post I would like to explain you a widely accepted scoring system in the Swing dance world called Relative Placement.

What is Relative Placement

Relative Placement is a scoring system which provides a fair method to value each judge's subjective vote.  It makes sure that every judge has an equal vote on the end result, no judge has more power than the other one.

Consequently, one high or low judge is disregarded and favoritism or bias from a judge is avoided.

How does Relative Placement work

Judges

A minimum of five judges are required. Also possible are six, seven, eight or nine.

In the preliminary and semi-final round an even or odd number of judges may be used: five, six, seven, eight or nine. In Jack & Jill competitions, one half of the judges may judge leaders, the other half followers.

A final round of a competition must be judged by an odd number of judges: at least five, recommended seven, preferred nine.

Preliminary Round, Semi-Finals, Finals

In the preliminary round and if needed in the semi-finals, the competitors (single, couple or group) are not ranked in a specific order, a call-back system is used instead.

The judges select competitors for the next round (basically yes or no) and determine alternates.

The scorer (which in most cases is the head judge) transforms the selections in ordinals: 1 for the selected competitors, 2 for alternates and 3 for the unselected. According to the total number of received 1s, 2s and 3s the competitors get ranked.

The head judge determines how many competitors are promoted for the next round. There are two possibilities:

  • prefixed number of semi-finalists or finalists
  • considering the natural break in the ranking (often it occurs, that the first group of ranked competitors are close together before there is a break to the second group with the rest of the ranked competitors)

Final Placements

In the finals all the competitors (usually couple or group) get placed by the judges by defining a rank: 1st place, 2nd place, 3rd place, etc. while duplicate placements are not allowed.

For the final placement a majority is needed. If no competitor has a majority of the same placement, the next placement is added to the previous placements until a majority is reached:

  • 1st and 2nd place (= 1-2)
  • 1st, 2nd and 3rd place (= 1-3)
  • etc.

If two or more competitors have an equal majority, the numerical value of the ordinals for each competitor is added. The competitor with the lower sum get ranked higher. If the sums for two and more competitors are equal, the next placement is added to the previous placements.

Let's take a look at two examples

Examples of Relative Placement

Example 1:

Relative Placement Scoring System Example 1 | Shuffle Projects

In this example, the result is clear through all competitors. The majority of votes with five judges is three.

  • Although judge 2 placed competitor #1 fifth, the majority of three judges placed them first, so the final place is first as well
  • Competitor #2 got one first place and two second place votes. Therefore 1-1 is 1 and 1-2 (1st plus 2nd) is 3.
  • Competitor #3 got no first place, one second place and four third place votes: 1-1 is 0, 1-2 is 1 and 1-3 is five (1st plus 2nd plus 3rd)
  • etc.

Example 2:

Relative Placement Scoring System Example 2 | Shuffle Projects

In this example we have a more complicated situation. The majority of votes is still three.

  • For competitor #1 the result is clear, the majority of judges voted them first.
  • Competitor #2 and #3 reached both the majority of three for 2nd place. Now we take the sum of the ordinals: 1+2+2=5 (written in brackets) for both competitors, we have an equal situation. Then the same procedure will be repeatet until a majority is reached. In this example the difference is eventually at 1-5.
  • Competitor #4 has more votes for 1-3 than #2 and #3, but less for 1-2, so the final place is 4.

Complete Rules

If you are interested in the complete rules, then check out Relative Placement Scoring System Rules – Compiled by Gary Kuhn. From the same website I have taken the two example cases.

Photo credit dices: plrang

What about you, do you like Relative Placement? Please leave a comment!

Related posts:

  • Competing at ABW and ESDC

Filed Under: Dance Tagged With: Competition, Contest, Dance, Relative Placement, Scoring System, Swing

DJ Chrisbe’s Song of the Week #79: Buns Blues

05.09.2011 by Chris

In 1974, two pianists joined forces to record a beautiful jazz album.

I'm talking about Count Basie and Oscar Peterson, two of the greatest jazz pianists of all time! Both of them already had a long career with countless recordings and even more life concerts behind them at that time.

Also Freddie Green, Basie's longtime guitarist in his band – he stayed 50 years with Basie – can not to be missed on this recording.

Most of the songs on the album «Satch and Josh» are written by Basie and Peterson themselves, so my song of the week «Buns Blues«.

It's amazing to hear how they support and complement each other. Peterson who is playing melodic lines while Basie's style is much more thrifty and frugal. With or without playing a note, they are swinging like mad.

Buns Blues is a mid-tempo hardly swinging song great for Lindy Hop dancing.

Line-up: Count Basie – piano; Oscar Peterson – piano; Freddie Green – guitar; Ray Brown – double bass and Louie Bellson – drums.


DJ Chrisbe's Song of the Week #79: Buns Blues by Count Basie & Oscar PetersonTitle: Buns Blues
Artist: Count Basie & Oscar Peterson
Recorded: December 2, 1974
Album: Satch & Josh
Tempo: 147 bpm
Dance: Lindy Hop



Click the link to buy the song (mp3/mp4a) at
iTunes — Amazon.de (CH/D/A) — Amazon.com — eMusic*

*not an eMusic member yet? Get 25 Songs with Your 7 Day FREE Trial!


Do you like this song? Do you like the series? Please leave a comment!

Every Monday, I post a new «Song of the Week«. Sign up for the weekly blog update by email and get the newest edition directly in your inbox.

Sign up now for the DJ Chrisbe's resources emails for more music tips and swing DJ resources!

Related posts:

Launch Of DJ Chrisbe’s Swing DJ Resources Email List
Song of the Week #18: «One O’Clock Jump» by Count Basie & His Orchestra
Song of the Week #78: «Savage Serenade» by Adrian Rollini & His Orchestra
Song of the Week #77: «A Viper's Moan» by Willie Bryant
Song of the Week #76: «Wabash Stomp» by Roy Eldridge

If you enjoyed this post, please tweet, «like», +1, or share it. Thank you!

Filed Under: Music, Song of the Week Tagged With: Count Basie, DJ Chrisbe, Freddie Green, Lindy Hop, Oscar Peterson, Swing

Swing Summer in Europe: Studio Hop Summer Camp in Eauze France

01.09.2011 by Chris

Swing Summer in Europe: Studio Hop Summer Camp Eauze France

Beside Herrang Dance Camp there is another event in Europe which is happening over several weeks during summer time: Studio Hop Summer Camp. The event is run by Anne-Helene & Bernard Cavasa and this year it was already the ninth edition. So we will have two anniversaries next year: 30 years Herrang and 10 years SHSC!

Studio Hop Summer Camp is quite different to Herrang, not only because of the location. There are three different weeks of classes and parties, always focused on one dance: a Balboa week, a Lindy Hop week and since last year also a Jazz Roots (Authentic Jazz) week.

That means for example during the Balboa week there is (almost exclusively) Balboa dancing all day and all night. Best conditions to essentially improve the dance!

I attended the Balboa week for the third time this year and here is my inside report of the camp live during this week.

In the French Countryside

Studio Hop Summer Camp at EscoubetSurrounded by sunflowers, Studio Hop Summer Camp is happening in the south-west of France, on a demesme outside of the village Eauze called Escoubet – Le Domaine Du Possible, which means loosely translated «the demesme of possibilities».

It's a vacation and event center, with different buildings, tents and hourdies for dancing and housing. Also camping is allowed and broadly used by the participants.

Time Blocks

Another big difference to HDC is the schedule. There are fixed time blocks for classes and meals. The advantage is obvious: the campers are eating together at the same time. Of course, SHSC is smaller – with around 200-220 people – so it's easier to organise it that way.

SHSC schedule condensed

  • 08.30h breakfast
  • 10.00h begin of morning classes
  • 12.15h lunch
  • 14.15h begin of afternoon classes
  • 19.00h dinner
  • 21.00h taster classes or party

Classes

To be honest, I'm a little bit tired of taking classes. I attended so many workshops and camps in the last few years that I'm feeling stuffed. With that said, I attended classes when I was in the mood to, so I skipped quite a few. I mainly wanted to social dance. All night! 🙂

Studio Hop Summer Camp Balboa Week

At SHSC there are five levels in the Balboa week, from intermediate to advanced +. The organisers take it very seriously with the level classification, the first morning session of classes is just for the level test – for all levels! Although this concept also has its weaknesses I like it.

Even better, if someone is not satisfied with the classification, they can go to the complaint office after lunch and argue and most notably dance with the instructors. That way you gonna think twice about complaining!

Free Time

Wednesday (in the Balboa week) is a free day without classes. That's perfect for social activities in the camp, sight-seeing in the villages Eauze and Condon or just to sleep in and hang out at the swimming pool nearby. Additionally, also on Friday no classes are taught in the morning.

Food

Studio Hop Summer Camp 2011The food is like everywhere a very important factor. The expectations to the French cuisine are high and most of the time you won't be disappointed.

There is always a three course menu for lunch and dinner, (sour) house red wine included! A vegetarian option is available but don't dare to stand in the line for vegetarians without the proper wristband, the chef will kill you!

Great improvement to recent years: Even for meat eaters, there are vegetarian meals on the menu.

Evenings: Theme Parties, Jack 'n‘ Jill, Cabaret

There are three! theme parties per week. In the Balboa week we had:

  • White & Blue party (colour combination of the clothes)
  • Pirates party on Wednesday
  • Super Classy party on Friday night (everybody is dressing up)

Studio Hop Summer CampAt least a Jack & Jill competition belongs to such a week. By tradition at SHSC, also the ten finalists (five leads and five follows) have to dance with each other. New this year was that the finalists also had to judge and place themselves. I will write a separate post about this.

And of course, a cabaret should not to be missed at such an event. It seemed that there were not many acts by campers,  therefore many of the instructors were prominently and creatively involved!

Music

Studio Hop Summer CampThree different bands in one week, wow! Unfortunately, not all of them could satisfy the expectations Balboa wise. You might know that I have quite strong opinions about music for dancers and I allow myself to level criticise at the music more often that I probably should ;).

This time, I do it the other way round: I liked the band «Magic Shook Heads» from Friday night. They had a good mix of tempos, really good rhythms for Balboa dancers and the songs weren't too long.

I was DJ'ing myself two times so I don't write a review about the DJs. I only name my two favourites: Annegret Beck and Mel Calanglang! Great job guys, I especially loved to dance to your music!

Bottom Line

I often get asked which camp or workshop I prefer. There is nothing to prefer. I like all of them when they are unique in their own way. I would define Studio Hop Summer Camp first of all as a holiday-dance camp.

Anne-Hélène & Bernard, I love the atmosphere of your camp. Thank you for putting up this event year after year! I will definitively come back to Escoubet!

Photo credits: 1 by Studio Hop, 2 by Escoubet, 4-6 by Stefan Deuber.

Related Posts:

  • Balboa On The Promenade 2011 – Event Review
  • A Day At The Balboa Experiment

Filed Under: Event Tagged With: Authentic Jazz, Balboa, Event review, Lindy Hop, SHSC, Studio Hop Summer Camp, Swing

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Welcome, I'm Christian Bossert. Since 1999, I‘ve been passionate about Swing dances as well as their culture and history. I‘m a Swing dance instructor and international Swing DJ Chrisbe, based in Zurich Switzerland. Read More…

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